Kurt Vonnegut’s eight rules for writing fiction

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things — reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

via troubling.info.

Kurt Vonnegut

Kurt Vonnegut was a science fiction writer whose satirical novels became “mainstream” best sellers.  My favorites among his works are Player Piano (1952), The Sirens of Titan (1959), Mother Night (1961), Cat’s Cradle (1963) and, of course, Slaughterhouse Five (1969), which is based on the bombing of Dresden during the Second World War.

Click on The Vonnegut Web for a web site devoted to his life and works.

Click on Kurt Vonnegut wiki for his Wikipedia biography.

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