A Man for All Seasons is a play about Sir Thomas More, a scholar, humanist, statesman and devoted husband and father, who also was a hero who went to his death rather than swear to a false statement.
It may be my favorite play. Offhand I can’t think of one I like better. It was first performed in London in 1960.
I saw it in Washington, D.C., in the early 1960s. Recently I took part in a reading of it organized by my friend Walter Uhrman.
The things I liked and admired about the play are its language and characters; its staging and lighting, which gave it a timeless relevancy; and its non-banal affirmation of human dignity and integrity.
More was beheaded on the order of King Henry VIII for his refusal to affirm that the Pope was wrong in refusing him permission to divorce his wife, Catherine of Aragon, and marry his mistress, Anne Boleyn.
The play is about More’s struggle to find a way to stay alive without sacrificing his integrity, and his final decision to choose integrity over life.
There is a passage I particularly like about the rule of law—the principle that nobody is above the duty to obey the law and nobody is below the right to protection of the law.
WILLIAM ROPER: Arrest him.
SIR THOMAS MORE: For what? ……
MARGARET MORE: Father, that man’s bad
THOMAS MORE: There’s no law against that.
ROPER: There is! God’s law!
THOMAS MORE: Then God can arrest him……
ALICE MORE (exasperated): While you talk, he’s gone.
THOMAS MORE: And go he should, if he was the Devil himself, until he broke the law.
ROPER: So now you’d give the Devil the benefit of law.
THOMAS MORE Yes. What would you do? Cut a great road through the law to get after the Devil?
ROPER: I’d cut down every law in England to do that!
THOMAS MORE (roused and excited) Oh? (advances on Roper) And when the last law was down, and the Devil himself turned round on you—where would you hide, Roper, the laws all being flat? (he leaves him)
This country’s planted thick with laws from coast to coast—man’s laws, not God’s—and if you cut them down—and you’re just the man to do it—d’you really think you could stand upright in the winds that would blow then? (quietly) Yes, I’d give the Devil himself the benefit of law, for my own safety’s sake.
Here is another passage I like.
SIR THOMAS MORE: … If we lived in a State where virtue was profitable, common sense would make us good and greed would make us saintly. And we’d live like animals or angels in the happy land that needs no heroes.
But since in fact we see that avarice, anger, envy, pride, sloth, lust and stupidity commonly profit far beyond humility, chastity, fortitude, justice and thought, and have to choose, to be human at all, why then perhaps we must stand fast a little… .
In the play, there are two opponents to More’s point of view.
One is Thomas Cromwell, the ruthless Machiavellian power-worshiper, who is tasked with the mission of forcing More to give him or, failing that, providing a justification for sending him to his death.
The other is a figure that Bolt calls the Common Man, an actor who introduces each scene and also plays the part of More’s servant, a boatman, a jailer, a juryman and, in the last scene, the headsman.
He represents the common sense view of the ordinary person, who tries to stay out of trouble and who goes along to get along.
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