Elizabeth Gaskell’s Wives and Daughters is a novel set in England in the late 1820s and early 1830s when the only role for middle-class and upper-class women was to be somebody’s wife or somebody’s daughter. Lower-class women, of course, were “free” to make their own way as servants.
It was published in incomplete form in 1866 after Mrs. Gaskell’s death. The main plot thread is the progress of step-sisters Molly Gibson and Cynthia Kirkpatrick from being daughters to being wives. I read it as part of a reading group hosted by my friend Linda White.
It’s very readable, with likable believable characters and a moderately intriguing plot. It’s also interesting as a portrait of a vanished way of life.
It is very different from North and South, which is the only other Gaskell novel I have read. While North and South is written in primary colors, so to speak, Wives and Daughters has many subtly different shades.
North and South is a report on the conflict between workers and factory owners in industrial Manchester, which is presented as a social problem that needs to be solved.
Wives and Daughters is full of shrewd observations about men and women and the different social classes relate to each other, but this is presented as an interesting and amusing reality, not as a problem.
Molly Gibson is the daughter of Dr. Gibson, a widower. He is a good man, who is devoted to his patients. He loves his daughter dearly and would do anything to make her happy, but he doesn’t make an effort to understand her. He regards her desire for an education as silly, and unnecessary for a women.
Molly, on the other hand, devotes a lot of thought to understanding her dad. Like Margaret Hale in North and South, she takes on adult responsibility at a young age and, in some ways, is more of a parent to her father than he is to her.
Early in the novel Dr. Gibson marries a widow, Clare Kirkpatrick. She is a schoolmistress with a daughter, Cynthia, who is Molly’s age. Being a schoolmistress or governess was the only profession open to respectable women in those days, and even that involved a step down in social rank, so she regards marriage as an escape.
Their courtship is very quick, and the two of them hardly know each other when they marry. Because of their social position, they had few choices of marriage partners. They wouldn’t marry down into the laboring class and they couldn’t marry up into the monied landowning class.
Their expectations are different. Dr. Gibson wants a wife who will be a mother to Molly and keep house, but otherwise allow him to go on living as before. Mrs. Kirkpatrick wants the perquisites of a higher social position and a household that upholds that position.
She is not cruel or malicious, but she is self-centered and never thinks about what other people think or want. In her blindness to what others think or want, she is an example of how extreme selfishness makes you stupid. She loves no-one, including her daughter.
Cynthia has grown up without experiencing a mother’s love. Mrs. Kirkpatrick sent her away to school at a young age and treated her as a nuisance when she was at home.
She is exceedingly beautiful and charming. She has the superpower of being effortlessly fascinating to men. I’ve known women like that in my life, and so have most men. So, interestingly, have the women in our reading group.
She is, like her mother, without an emotional core. But unlike her mother, she is aware of what she lacks. She regrets it and yet feels powerless to change. She cares about what others think of her, but feels no true affection for anyone—except her stepsister Molly.