1000 YEARS OF JOYS AND SORROWS: A Memoir by Ai Weiwei. Translated by Alan H. Barr (2021)
Ai Weiwei is a well-known Chinese artist. His father, Ai Qing, was a well-known Chinese poet. Between them, their lives cover a century of Chinese cultural history.
Both wanted to explore the wider world outside China. Both believed that art and poetry were for the masses and not just the elite. Both believed in artistic freedom. Both were imprisoned by the Chinese government for exercising that freedom.
The first half of the book is Ai Weiwei’s biography of his father. Ai Qing was a loyal Chinese Communist who nevertheless believed writers could serve the Revolution best if they were true to their own vision. The regime disagreed.
The second half is Ai Weiwei’s own story. Unlike his dad, who was loyal to a cause, he was a rebel who confronted and rejected all forms of authority – governmental, cultural and traditional. The video above, a trailer for a 2012 documentary, gives an idea of his defiant spirit.
“Art should be a nail in the eye, a spike in the flesh, gravel in the shoe,” Weiwei wrote. “The reason art cannot be ignored is that it destabilizes what seems settled and secure.”
My interest in the book was awakened by learning it is one of Edward Snowden’s favorites.
The title of the book is based on verses from one of Ai Qing’s poems:
Of a thousand years of joys and sorrows,
Not a trace can be found.
You who are living, live the best life you can.
Don’t count on the earth to preserve memory.
Ai Qing was born in 1910, one year before the overthrow of the Manchu dynasty. He loved poetry and art and persuaded his father to give him money to go to France for study in 1929.
He lived in Paris among poor Chinese expatriates for three years, where he learned to speak French and love Russian literature. He later said these were the happiest years of his life. He returned three years later, having learned no marketable skills that would enable him to pay back his father.
When he got back, he moved to Shanghai, joined the Union of Left Wing Artists and was arrested just a few months later. He wrote his first poems during his three years in prison.
For years after that, he lived hand-to-mouth, subsisting on low-paid teaching jobs or the charity of his father. He managed to keep writing and was able to get some of his works published.
He was one of these poets who are inspired and driven to write, no matter what their circumstances. The themes of his poetry were the suffering of the Chinese common people as a result of exploitation and war.
He was married, divorced and had relationships with various women. He begat children who died in childbirth and infancy, probably as a result of poverty. He somehow managed to get his poetry published.
In 1941, he made his way to Yunan and joined Mao Zedong. Mao’s idea of the role of writers was that they were the propaganda arm of the revolutionary army and should be subject to military discipline.
Ai Qing argued about this with Mao to his face. He believed that writers could best serve the revolution by following their own inspiration.