My friend Judith took exception to my posting that “The Man Who Would Be King” was Rudyard Kipling’s greatest short story. She said Kipling wrote a great many others that were better than that one.
She loaned me several of her Kipling anthologies. I didn’t read all the stories, but I read enough of them to convince me she was right.
Kipling is known for his stories of India. He was born in 1865 and spent his early childhood there, then returned to work from 1883 to 1889 on newspapers there.

As a newspaperman, he met all kinds of people, as he also did as a Freemason. The Masonic Order admitted monotheists of many ethnicities and varied social standings.
He wrote poems and stories, including The Man Who Would Be King (1888), that made him an overnight success. He left India at age 24 as a literary celebrity, and never went back except for one brief visit. He died in 1936.
As Judith pointed out, many of his best stories have nothing to do with India.
Kipling was a keen observer, a master of the English language and an inspired storyteller. His stories bring to mind the phrase “magic realism.”
He had a keen eye for details and got the details right, whether he was writing about civil engineering, tiger hunting or life in the trenches during World War One.
At the same time, many of his stories had a supernatural or mystical or some other angle that went beyond the mundane, like the Latin American magic realist stories. Maybe that’s one reason Jorge Luis Borges liked his writing so much.
Here is an account of my recent Judith-inspired reading of Kipling.
One of my faults is reading too fast, and not stopping to appreciate literary style or take in detail.
Probably I would have done better just to have read a few and appreciated them more deeply, rather than greedily gobbling down so many in a short time, as is my habit. But, as G.K. Chesterton said, anything worth doing is worth doing badly.
The first three in my list below are, in my opinion, equal to or better than “The Man Who Would Be King,” which I still think is great. Not all of them are equally good, but I enjoyed them all and together they give an idea of Kipling’s range.
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The Bridge-Builders (1893)
This was a mind-blowing story.
The bridge builders are Findlayson, a civil engineer in charge of building a bridge across the Ganges, plus Hitchcock, his assistant, and Peroo, his native assistant.
These three are presented as the only important characters because only they are dedicated to the mission of completing the bridge. Deaths of individual workers because of disease or accidents are not regarded as important.
Peroo is accepted by the other two as their equal in terms of competence and character, the only qualities they value, although he will never be, and never aspires to be, their equal in rank.
The first part of the story is about the obstacles they overcome—technical, administrative and political—and I at first thought the story was going to be about to be about heroes of science, engineering, discipline and the work ethic.
But then, just as the bridge is almost, but not quite, completed, it is hit by a devastating flood.
Findlayson and Peroo are swept away by the waters and find themselves on an island in mid-river, where animals have also taken refuge.
Peroo gives Findlayson a bit of opium to help him get through the night, and he begins to perceive the animals as talking avatars of the Hindu gods.
The crocodile, avatar of Mother Gunga, the goddess of the river, asks the other gods for their help in destroying the bridge and, by implication, Western civilization.
A tigress, representing Kali, the goddess of death is inclined to agree. But Hanuman, the monkey god, recalls how his own exploit as a bridge-builder described in the Ramayana.
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