THE TENANT OF WILDFELL HALL by Anne Bronte (1848) with an introduction by John Weeks (1979)
Most educated people have heard of the Bronte sisters—Charlotte Bronte, who wrote Jane Eyre, and Emily Bronte, who wrote Wuthering Heights. I didn’t know there was a third sister, Anne Bronte, until one of her novels was selected by my novel-reading group.
Her best-known novel, The Tenant of Wildfell Hall was a shocker in its day, which is why Charlotte didn’t want it to be republished after Anne’s death.
What made it so shocking? The heroine was a wife who’d run away from her husband.
Marriage then was an iron-clad contract. Indeed, someone who broke off an engagement could be sued for breach of promise. Once married, the woman was transferred from the authority and protection of her father to the authority and protection of her husband.
England in those days was a patriarchy—a real one.
Married women could not own property. Everything a wife owned, including what she earned herself, belonged to her husband. The husband could even take her children away from her.
Marriage was the transfer of the woman from the authority and protection of her father to the authority and protection of her husband. The only truly independent women were, like Charlotte Bronte’s Shirley, fatherless, unmarried and in possession of sufficient property to support themselves.
Many Victorian novels tell of unhappy marriages and abusive husbands, but the wife, if she is to expect any sympathy from the reader, must do her best to put up with it. Freedom only came when the abusive partner died, which, iIt must be said, very commonly happened in not only in novels, but in real life.)
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We begin with reminiscences of Gilbert Markham, a classic unreliable narrator. He’s a nice young man working on the family estate, oblivious to what is going on around him, but providing enough information that the reader can see what he is blind to.
For example, he is unaware of how his mother and sister cater to his needs and wishes because the man of the house comes first. He doesn’t notice how the desperately the young women in his circle want and need to get married. What for him is an amusing flirtation is, for them, a question of their whole futures. The women in my novel-reading group said his is typical male behavior.
Gilbert’s attention is captured by a mysterious Helen Graham who has moved into a remote, previously-vacant house called Wildfell Hall with her small son. She is cold and stand-offish, especially to men, but also lonely.
They gradually grow closer, despite his blunders, based on his tendency to act impulsively after jumping to false conclusions.
Finally she gives him a diary that tells her back story.